In Brailled It, the tension and stakes of the annual Braille Challenge are brought to the screen by three of the competitorsFor the past 26 years, about 22,000 blind and visually impaired schoolchildren from around the world have competed in the Braille Challenge: a literacy test against a loudly ticking clock. It has all the theater of a Model UN competition, all the stakes of a make-or-break standardized exam and young competitors from first grade through high school juggling their own expectations, ambitions and emotions – with a degree of difficulty that is surely unfathomable to most.Brailled It is a new film that immerses viewers in the ups and downs of the 2024 edition of the Braille Challenge, which saw more than 1,100 students descend on the University of Southern California campus. But instead of Emmy-winning director David Grabias steering a phalanx of camera and sound operators through the scenes, as he has done for past documentary projects on climate change and immigration policy, he strapped cameras to the competitors and left them to their own devices. “Every documentary is a collaboration, and you’re giving agency to your participants,” he says. “But this was: you’re going to go off and make the film, and we’ll help put it together.” Continue reading...
In Brailled It, the tension and stakes of the annual Braille Challenge are brought to the screen by three of the competitorsFor the past 26 years, about 22,000 blind and visually impaired schoolchildren from around the world have competed in the Braille Challenge: a literacy test against a loudly ticking clock. It has all the theater of a Model UN competition, all the stakes of a make-or-break standardized exam and young competitors from first grade through high school juggling their own expectations, ambitions and emotions – with a degree of difficulty that is surely unfathomable to most.Brailled It is a new film that immerses viewers in the ups and downs of the 2024 edition of the Braille Challenge, which saw more than 1,100 students descend on the University of Southern California campus. But instead of Emmy-winning director David Grabias steering a phalanx of camera and sound operators through the scenes, as he has done for past documentary projects on climate change and immigration policy, he strapped cameras to the competitors and left them to their own devices. “Every documentary is a collaboration, and you’re giving agency to your participants,” he says. “But this was: you’re going to go off and make the film, and we’ll help put it together.” Continue reading...